May 222017

Big Cat Trainer, Alexander Lacey, performs one last time with Ringling Bros. and Barnum & Bailey Circus.

Last night, May 21, I had the great honor of attending the final performance of Ringling Bros. and Barnum & Bailey Circus. It was a very special evening, which started with a moving tribute to his 50 years of stewardship of the Ringling enterprise by Kenneth Feld, the CEO.

It was performed to a packed house at Nassau Coliseum on Long Island. The show spoke eloquently to 146 years of American history. There were a lot of great moments, but perhaps the greatest was saved for after the end of the show. Ringmaster, Johnathan Lee Iverson made an impromptu speech and invited all of the employees and their families from backstage to join in the arena and sing Auld Lang Syne.

Johnathan Lee Iverson with the Circus company

The NY Times quoted one ticket holder as saying, “…perhaps it will return, retooled and rebranded.” I join him in his sentiment.

Mar 092017

On the weekend of March 4th and 5th, I was honored to share a stage with some veteran as well as many very promising young circus artists. I travelled to Brattleboro, Vermont, where the New England Center for Circus Arts (NECCA) presented two performances of a delightful Circus Spectacular Gala and invited me to host as the ringmaster for both shows.  Serenity Smith Forchion and Elsie Smith, the founders of NECCA, brought together a fabulous and diverse group of performers, from hand balancers to rola bola masters.  They came from far and wide, from Canada to Tennessee, and all of the performers were somehow affiliated with the NECCA school as teachers or professional trainees.  Enjoy some photographs of the acts in action below:

Image may contain: 4 people, people smiling, people on stage and text

Photo from NECCA’s Facebook page

The Circus Spectacular, performed at the vaudeville gem Latchis Theater, was a gala to raise money for a new building under construction for the school, as NECCA’s popularity grows and their facilities expand.  I was happy to participate in this wonderful venture!   And what a blast, to spend a few days onstage and backstage with these performers.

The acts included NECCA’s Advanced Youth Performance Troupe opening the show with a charivari, Alicia Dawn on the cloud swing, Jan Damm & Ariele Ebacher’s eccentric partner acrobatics act, and Liv Morrow on aerial straps.  Jan Damm reappeared in the second half on his rola bola, along with Molly Graves on aerial rope, “Kinetic Kristin” Leophard performing on the cyr wheel, with Ariana Ferber Carter, a Vermont local, sharing her contortion act.  Mario Diamond, a mime from Quebec who has performed on five continents, had two performance slots in the show.  They were true circus folk, who had performed with such companies as Ringling Brothers, Barnum & Bailey, Cirque Eloise, Cirque du Soleil, the Bindlestiff Family Circus, the New Pickle Circus, and Vermont’s own Circus Smirkus.  Troy Wunderle, the Artistic Director of Circus Smirkus, performed a beautiful version of the breakaway bike (you might remember this act from Justin Case at the Big Apple Circus). Rounding out the performances were hand balancer Marieke Dailey, Doug Stewart on aerial rope, a juggling duet by Tony Duncan & Melissa Knowles, and the identical twin sister and co-Artistic Directors Elsie and Serenity on double trapeze.

Dec 092016

Hello everyone,

I had a ball on Friday night at the Metropolitan Room performing in my new cabaret THE TALL AND THE SHORT OF IT with dazzling singing partner Dana Mierlak.  In addition to performing a few of  old favorites, we threw in a few new solos, including my interpretation of “Try To Remember” and her show-stopping rendition of “The Girl In 14G.”  I loved working with her. The duets that we did were the highlight for me.
I feel so lucky to have had the opportunity to spend an evening singing for my friends and family, and I was delighted to see so many familiar faces in the audience.  If you couldn’t make it, here are a few photos from the event:
We're two lost souls, on the highway of life!

We’re two lost souls, on the highway of life!

Me doing what I do best -- announcing!

Me doing what I do best — announcing!

Dana performing "The Girl In 14G"

Dana performing “The Girl In 14G”

This was the second time I’ve performed at the Metropolitan Room. Last Year, we threw a sold-out benefit performance of PAUL BINDER RISKS HIS LIFE, and this year it felt like coming home to perform in a familiar space. Last year, I thought to myself, “Gosh, this would be great to do again.” And lucky me, I did! The new show provided a unique format for myself and Dana to share stories about how “it’s difficult to be tall” (Paul) and “…average in stature” (Dana, 5 feet in heels). She’s also half my age.

As always, it was a pleasure to perform with Dennis Buck, our brilliant accompanist. Dennis’ immense skill and musical acumen make him invaluable on and offstage.
I hope you were lucky enough to join us, and if you weren’t, I hope you can come along next time!
Nov 042016


Me and Roberta Fabiano singing "Landmark State of Mind." Photo credit to New York Social Diary

Singing with guitarist Roberta Fabiano of the Peter Duchin Orchestra: “Landmark State of Mind” (our apologies to Billy Joel). Photo credit to New York Social Diary

This past Wednesday, November 2nd, I had the immense pleasure of emceeing the New York Landmarks Conservancy’s annual Living Landmarks Gala at the Plaza Hotel Ballroom. This is special for me because, as many of you know, Michael Christensen and myself were honored by the New York Landmarks Conservancy in 2002 as New York City “Living Landmarks” for our work with the Big Apple Circus.  At the time, Liz Smith was the emcee of their annual Gala at the Plaza, but last year she passed the baton on to me. I’m honored to do it once again this year. It’s a thrill!


Peg Breen and Lloyd Zuckerberg at the Gala. Photo credit to Whom You Know

Chairman Lloyd Zuckerberg and President Peg Breen at the Gala. Photo credit to Whom You Know



It’s the best party in town, because it’s New Yorkers who love New York honoring people who love New York. The honorees this year were Frank Bennack & Mary Polan, Barbara Taylor Bradford & Robert Bradford, Nina & Tim Zagat, Larry Leeds, and Wynton Marsalis.  What an honor to share the stage with these people who have had such a profound impact on the city we all love.  I even got to sing a rewritten version of Billy Joel’s “New York State of Mind” — “I’m in a Living Landmark State of Mind!” The entire evening was gracefully organized by Peg Breen.  I collaborated with my good friend Robbie Libbon on jokes that we could insert into a script that we thought could use additional humor. Here’s my favorite gag of the evening:

“We’ve got a couple of CEOs, an MD, a CFO, a PhD, even an OBE…to add to the long lost of SOBs from past years — no, no, I’m just kidding — there’s no CFO.”

Here are some photos of the event:


Shelley and myself after the ball. Photo credit to Peachy Deegan at Whom You Know

Me and the great jazz trumpet player Wynton Marsalis. Photo credit to New York Social Diary

Here I am with the great jazz musician Wynton Marsalis. Photo credit to New York Social Diary



Not everyone has the opportunity to attend the Living Landmarks Galas, but all of you can come to my next cabaret performance! It is a ONE NIGHT ONLY event at THE METROPOLITAN ROOM, on DECEMBER 2ND at 7PM.  After a successful benefit performance of PAUL BINDER RISKS HIS LIFE at the Metropolitan Room last year, we’re bringing a new cabaret: THE TALL AND THE SHORT OF IT!  I will be joined by the dazzling Dana Mierlak in the new show THE TALL AND THE SHORT OF IT. We will share a few songs, a few stories, and a few jokes about how “it’s difficult to be tall” (Paul) and “…average in stature” (Dana, 5 feet in heels).  We can’t wait to see you there! Tickets are available here.

Apr 222016

Although I don’t frequently step into the ring with my red suit and top hat anymore, I’m finding myself behind a podium more and more. In the past year I’ve been invited to play host to many events and ceremonies, including the New York Landmarks Conservancy’s Living Landmarks Gala, which I’ve written about before.


This past weekend I was honored to introduce Dean Glenn Hubbard for his “State of the School” address at the Columbia Business School reunion weekend. I’ve known Glenn for many years, and I’m very pleased to be able to call him a customer. Yes, every year he brings his family to enjoy the Big Apple Circus at Lincoln Center.


Dean Glenn Hubbard and Senior Associate Dean Lisa Yeh sitting in the auditorium during my introduction

Columbia has meant a great deal to me professionally and personally. Eleven years ago, my daughter, Katherine Binder, was a student at Barnard College, which is across the street from Columbia Business School. She called me one day and said, “Daddy, Daddy, you should go over to the Business School. There’s a big picture of you on the wall.” So I went, and there, in the hall outside the dean’s office, was a series of print ads that highlighted the individuality of Columbia MBAs. This was one of the ads:

PB Columbia Advertisement

I am a proud member of the Columbia Business School graduating class of 1966. Quite significantly, my education at Columbia had a profound impact on the development of the Big Apple Circus, which, from the beginning, was a social enterprise company. After all, just as important to the Big Apple Circus’s performance of an annual season is the mission to serve the communities in which we perform, which we do with five award-winning community programs. The largest of these programs is our Clown Care Unit, which sends specially trained professional performers—clowns, comedians, musicians, and magicians—to the bedsides of acutely and chronically ill children in fifteen pediatric hospitals nationwide, five of them in New York City.

So of course I was honored to have been asked to introduce the dean for his State of the School address. And I was happy to speak to a room full of sharp-minded individuals about my own business background with the Big Apple Circus. I never tire of pitching the commercial: we’re always looking for bright, young, passionate board members, and we’re always looking for MBA candidates who want very exciting internships.

My wonderful education (Dartmouth, Columbia)and the world of circus has given me the opportunity to have a life full of pleasure and adventure. I’m very grateful.


Reunion photos courtesy of Beth Brown, the Director of Alumni Relations, External Relations, and Development at Columbia Business School.

Apr 012016

I just got back from a few days in Boston, where I provided co-commentary for the 2016 round of Circus of the Senses. Circus of the Senses is one of the Big Apple Circus’s five award-winning community programs. (The others are Clown Care, Circus After School, Vaudeville Caravan, and Circus for All.) Circus of the Senses is designed to bring the joy of the circus to children and others with vision or hearing impairments. We use a personal listening device system to transmit play-by-play descriptions of the performance, and ASL interpreters are positioned around the tent. After the show, we host a “touch session” in the ring where visually-impaired kids are encouraged to experience elements of the show—costumes, apparatuses, animals—through their sense of touch. It’s a truly remarkable, one-of-a-kind event.

This year’s show, the Big Apple Circus’s “The Grand Tour,” was an especially great production for Circus of the Senses, and I had a wonderful time with my co-commentator, Robb Preskins. Robb is a full-time entertainer, and he also works with the Big Apple Circus Clown Care. When performing with our Boston Children’s Hospital Clown Care Unit, Robb dons his white lab coat and assumes the persona of “Dr. Gonzo.”

Doing Circus of the Senses is a wonderful thrill for me, and it’s exciting to participate in the program as the Big Apple Circus travels throughout the season because I get to work with different co-commentators for very different audiences. In fact, I’ve worked with many, many different commentators since I started the Circus of the Senses at the Big Apple Circus nearly 30 years ago.

In case you haven’t seen it before, here is a photo from the very first Circus of the Senses event in 1988. My co-commentators at that event were none other than New York Jets radio announcers, the legendary Marty Glickman and and his partner Dave Jennings. The clown in the photo is Mr. Gordoon.

The commentators at the first Circus of the Senses. This picture is from a plaque that reads: THANK YOU FOR MAKING "CIRCUS OF THE SENSES" A TRULY MEMORABLE EVENT FROM YOUR FRIENDS AT WCBS NEWS 88 NOVEMBER 18, 1988

The commentators at the first Circus of the Senses. This picture is from a plaque that reads:
Thank you for making “Circus of the Senses” a truly memorable event
From your friends at WCSB News 88
November 18, 1988

Jan 192016

A view of the French coast from the helicopter ride on the return journey to Nice.

Yesterday, Shelley and I made our return voyage from Monte Carlo where I was witness to four nights of the International Circus Festival of Monte Carlo. Go ahead, say I’m “over the top,” but the collection of acts was simply the finest group of circus artists and performers ever to be assembled under a big top in one place at one time. They constituted an extraordinary group of what was called “classical” or “traditional” circus.

This is the fortieth anniversary of a glorious festival, and the committee, consisting of Dr. Frere, Urs Pils (German Circus Krone), and Princess Stéphanie of Monaco (President of the Festival and Jury), among several others, was determined to bring the best acts in the world and have each of them perform in one ring over two nights. (The Festival actually goes on for eight days more, but after the fourth performance there was a celebratory dinner and a day of rest).

Princess Stephanie and Pauline Ducruet, Photo PLS Pool:Getty Images Europe

Princess Stéphanie at the festival with her children (Pauline Ducruet and Camille Gottlieb on her right and Louis Ducruet on her left).
Photo courtesy of PLS Pool/Getty Images Europe.

Twenty-four of the twenty-eight acts had previously been winners (some of them multiple times) of the Gold, Silver, or Bronze Clown, the circus equivalent of Hollywood’s Oscars.

To have them assembled in one place at one time was akin to a religious experience for some circus fans. (Perhaps, that’s why I used the word “witness” in the preceding paragraph!) The festival is underwritten by the Palais de Monaco in a tent that seats 4,000+ audience members and is promoted year-round as part of the of the culture of the Principality of Monaco. No expense is spared.


Standing (left) ringside facing the performers are Princess Stéphanie of Monaco with her daughter, and standing (center) facing the front of the ring is Prince Albert II, the reigning monarch.


Shelley and me with Martin Lacey Jr.

The pre-festival cocktail party, the Circus Director’s Luncheon at the Hotel Hermitage, and the Festival Dinner are by invitation only. I was honored to attend all three, Shelley, two. Princess Stéphanie hosted all three events. We were invited to sit at her table along with Pauline Ducruet (Princess Stéphanie’s daughter), Marie-Jose Knie (a member of the Swiss Familie Knie Circus), Alexis Gruss (of the French Le Cirque Gruss Ancien), Flavio Togni (of the Italian Circo Americano), and Martin Lacey Jr. (Gold Clown winning trainer of large cats and star of Circus Krone). It was a thrill. Alexis is a long-standing friend of mine (and, I should add, once directed none other than Big Apple Circus’ own Artistic Director, Guillaume Dufresnoy). What an honor!

There were many memorable highlights under the big top as well:

Bello Nock, who won a Gold Clown some years ago, on his second night, was outstanding. (There were a variety of reasons, not his doing, that he was not his usual superb self on his first night.)

Desire of Flight, who were booked and contracted at BAC by Guillaume, got a well-deserved and very loud, standing ovation.


Desire of Flight: Valeriy Sychev and Malvina Abakarova

Alexis Gruss and Flavio Togni were the class of the festival with their horses already safe in the stable by the time the audience had finished their ovation.

Alexis Gruss and his 6 stallion “maypole.”


Alexis Gruss with a Portuguese Stallion hind leg walking.

The Sokolov Troupe. In their first incarnation we knew them (in two different BAC seasons) as Kovgar Troupe. Sokolov is the second generation. Their act is a fun tribute to Wolfgang Amadeus Mozart, with his music and costumes from the 18th century. Great tricks and super audience response.

Willer Niccolodi, the unlikely ventriloquist, fresh from his appearance at Circus Knie and BAC, filled the tent with peals of laughter.

Both the men’s and women’s Acrobatic Troupes of the “National Circus of China” were outstanding. (I’m not so sure that there is a such-named troupe except for one to prepare for festivals … drawn from several other groups around their nation.)


The National Circus of China: The performer has jumped and is diving through a hoop eight feet from the ground.

Another memorable routine was performed by the hand-to-hand acrobats, Scherbak and Popov, Gold Clown winners from the Ukraine.

The Caselly Family elephants (African, no less—known to be more difficult to train than their “cousins” the Asians) were superb.


The Caselly Family: The elephant on the left has just hit the teeterboard, and the performer (in white) is in the air on his way via a double somersault to the the back of the elephant on the right.

Laura Miller and her aquatic aerial ring was unique.

Encho, the hand-balancing strongman, with whom I had the privilege to work at Circus Sarasota, was most memorable.

And several more …


Standing alongside Katya and Nelson Quiroga of the Flying Tabares.

I was especially pleased to be in the company of Mary Jane Brock, Big Apple Circus Vice Chair, and her husband, Charley, along with five of her friends, from school and early professional days.

It was a thrilling four days, one that reinforced the Big Apple Circus’s vitality and vision as an organization.

Jan 082016

This past Tuesday night, January 5, the Big Apple Circus big top played host to the Celebration of American Circus. A mixture of performance and awards ceremony, the event presented by Circus Now and the Big Apple Circus, in association with Jonathan S. Cerullo and JSC Theatricals, honored four artists/organizations who have made significant contributions to Circus Arts in the United States.

Here are the five honorees this year.


From left to right are Ed LeClair (Executive Director of Circus Smirkus), Dominique Jando (world circus historian and author), Rob Mermin (Founder of Circus Smirkus), Bill Irwin (clown/actor), and Hovey Burgess (Professor of Theatre and Circus Arts and Master Teacher at NYU TISCH School of the Arts). Circus Smirkus received the Community Impact Award, Dominique Jando the Elevating Circus Award, Bill Irwin the Evolving Circus Award, and Hovey Burgess the Lifetime Achievement Award.

Below is David Shiner (actor/clown) who presented the award to Bill Irwin.


And here they are together.


Bill and David are about to reopen their hilarious hit comedy show Old Hats at Signature Theatre on 42nd Street.

Below is the beautiful Dolly Jacobs (award-winning circus aerialist and Founder of Circus Sarasota) who presented the award to Hovey.


Pictured below are the two together flanked by this year’s Big Apple Circus clowns, performed by Joel Jeske (left) and Brent McBeth (right).


By the way, Hovey’s in a wheelchair because he fell down and broke his leg.

One of the featured performers at this year’s ceremony was aerialist Sergey Akimov, who is featured in this year’s show at the Big Apple Circus. “The Grand Tour” is the second time in the last six years that Sergey has performed with us. He actually grew up at the Big Apple Circus because his father and uncle, the Egorov Troupe, were performers there. He’s a wonderful and skilled artist.


I’m hoping we will see the continuation of this event in the future.


All photos by Maike Schulz.

Dec 122015

What a blast! My two cabaret performances at New York’s famed Metropolitan Room this past weekend were a huge success. Saturday night was sold out, and the audience was comfortably full on Sunday evening. It was a joy for me to be able to perform in front of friendly, forgiving faces.


A photo taken from House Left

This was an entirely new experience for me. Between finishing college and until three years ago, I had never sung in front of an audience. But then the late Isaiah Scheffer encouraged me when he cast me as Mitt Romney’s dog in the Thalia Follies.

During all of my years in the ring I had a set routine about when and how to prepare for each show. But on Saturday night I had no routine to help control my nerves. Things were very hectic. The show immediately before mine ran very late, so my sound check and vocal warm up were condensed into a brief three minutes. And I could barely make my way back downstairs to the dressing room because of all the guests who were already waiting to find their seats. I experienced a rush of butterflies, all the while being nearly overwhelmed by the incredible turnout. It’s difficult to describe my contradictory feelings: all the friendly faces calmed my nerves while simultaneously contributing to my anxiety because I didn’t want to disappoint. What an unusual skew of emotions for a performer! I’ve always been a bit nervous before every performance and actually believe that if you don’t get nervous before a show, you probably don’t care enough.

It took me a couple songs on Saturday night to relax into the performance, but after that, it was relatively smooth sailing. And I eased into the performance even quicker on Sunday. The wonderful Lainie Cooke, who joined me onstage to sing “Do You Love Me?” and our crowd-pleasing finale song “Mention My Name in Sheboygan,” had given me a great note: “Just tell the story.” Her words stayed with me all night. Many of the songs I chose to sing, especially those originally performed by the incomparable Danny Kaye, are story-based, and I’ve been a storyteller my whole life, so Lainie’s words were a great comfort for me to just focus on doing what I do best.

I’m incredibly grateful to everyone who contributed to the success of the show. The entire staff at the Metropolitan Room were wonderful in organizing the event and keeping track of guests for the two performances. My guest performers Lainie Cooke and Bradley Jones were professionals from beginning to end. Both of them had wonderful solo performances. (I may even have to steal Bradley’s solo song, “Very Soft Shoes” from Once Upon a Mattress, since it’s been stuck in my head ever since the performance.) And of course, I never would have survived the show without the support and brilliance of our pianist, Dennis Buck. Let me tell you, the man is a genius–he could make a frog sound good. And on Saturday and Sunday … he did!


“The Life of the Party”

PB RHL Paul and Bradley

“Brush Up Your Shakespeare”

PB RHL Paul and Lainie

“Do You Love Me?”


“Mention My Name in Sheboygan”

I made sure to plant myself by the door so that I could say hello to everyone on their way out of the Metropolitan Room. (I also sold several copies of my book at the “gift shop” … the lobby coffee table.) Nearly everyone I spoke with was encouraging about the show, and many made comments about making this an annual tradition.

Well, I surely do like the idea of getting to do this again.


Signing a copy of my book in the “Gift Shop”


I love taking pictures with people from the audience. Here’s one with Joan Swirsky.


Nov 092015

Have you ever had the opportunity to introduce a cardinal?! How about sing for one?! Well, this past week, I got to do both!

About two months ago I was contacted by Peg Breen, President of the New York Landmarks Conservancy. Peg and her staff were busy coordinating the Living Landmarks Gala, an annual soiree held in the Plaza Ballroom to honor new Living Landmarks. Each year, the Conservancy recognizes New Yorkers who have made outstanding contributions to the City.

Plaza Grand Ballroom

The Plaza’s Grand Ballroom

Several years ago my juggling partner and Big Apple Circus co-founder, Michael Christensen, and I were honored and humbled to be declared New York Living Landmarks. I have been serving on the Gala’s Celebration Committee for the past few years, so when Peg called me up to ask if I would consider co-hosting the gala this year, I was both excited and nervous. Legendary gossip columnist, Liz Smith, had been hosting for seventeen years. This was a big deal! Honorees range from entertainers to entrepreneurs. And we’re talking some pretty huge names: Candice Bergen, Whoopi Goldberg, John Kander and Fred Ebb, Jerry Orbach, Elaine Stritch, and George C. Wolfe, just to name a few, not to mention some Rockefellers, governors, mayors, and senators.

Paul and Michael receiving Living Landmarks award

Michael Christensen and I accepting our award

Paul Binder; Shelley Doctors

My sweetheart, Shelley, and me (and my chins) at the Gala in 2012

So, would I consider co-hosting? … YEEEESSSSSSSS!!!!!

The lineup of honorees this year was terrific, and I was thrilled to be involved. Honored this year were Ken Langone, philanthropist and celebrated co-founder of the Home Depot; Brooke and Daniel Neidich, she the co-founder of Child Mind Institute and he a dedicated philanthropist and founder of Dune Real Estate Partners; Susan L. Solomon, a longtime healthcare advocate and the co-founder and CEO of the New York Stem Cell Foundation; Dr. Susan Weber, Director and Founder of the internationally-acclaimed Bard Graduate Center; and Robert E. Wankel and Philip J. Smith, Co-CEOs (and President and Chairman, respectively) of the Shubert Organization. I was thrilled to be able to take the stage alongside a handful of people who help make New York City great.

Not too long after agreeing to co-host, it turned out that I was going to host the event myself with the assistance of a couple presenters and special guests. And I was very enthusiastic about the company. I was delighted to be joined by Broadway legends Joel Grey and Bernadette Peters, who helped present the award to Phil Smith and Robert Wankel. Also, the Shubert Organization arranged for a special performance by Brian Stokes Mitchell, who will be returning to Broadway in the spring alongside Audra McDonald in Shuffle Along. Brian sang an mind-blowing arrangement of “There’s No Business Like Show Business.”

And then, of course, there was his Eminence, Cardinal Timothy Dolan, who presented the award to Ken Langone. And as host, little ole me got to introduce the cardinal! THE Cardinal of New York City! (Hey, Ma, look at me now!) And just because I never knew if the opportunity would ever come around again, with the help of Ken Langone and Peter Duchin, I led the audience in a verse of “Sidewalks of New York.”

All in all, the Living Landmarks Gala was a gas! I had loads of fun, and it was invigorating to be around so many talented and proactive New Yorkers. I sure hope the opportunity comes around again.

One last thing … Because we had to stick to a strict show running time, I didn’t have an opportunity to give a proper goodbye to Cardinal Dolan. So if you’re reading this, your eminence … whether or not the Dolan who owns the Knicks is a relative of yours, maybe you can pray for him. We really want a championship.

Timothy Cardinal Dolan

His Eminence, Cardinal Timothy Dolan

James L. Dolan Nicks Owner

Knicks’ Owner, James L. Dolan